New Frisk 'Pink' Masking Fluid from the SAA - Reviewed!

In October 2014 I was sent a bottle of Frisk 'Pink' Masking fluid to try in advance of it's release. Having just recently recovered from the disease myself I was keen to review the product!

When I tell complete beginners to watercolour what masking fluid does, their eyes instantly light up. Having soon come across the problems of reserving light areas, masking fluid seems the answer to all their problems. I soon have to disillusion them! Masking fluid is a fantastic tool and really useful, but it is not without its problems and is certainly not suitable for all situations where you need to reserve white. 

When the SAA sent me a bottle of Frisk ‘pink’ masking fluid I was very excited to try it out. Not least because a percentage of the profits go to breast cancer charities, a disease I am recently recovered from myself. I wanted to put it though its paces, not just for reserving whites but also for a technique that people use less often, reserving previously painted (dry) areas of light paint. As I parked my car at the local supermarket, I looked down at the ground and saw the autumn leaves – perfect! Not only did some of them have little holes, others had light veins surrounded by darks. 

I selected a few and drew the shape of one of the Maple leaves onto my paper. First I masked out the small holes and let the masking fluid dry. (My tool of preference for this is a ruling pen, but some of my students do prefer ‘colour shaper’ tools.) Next I put an all over wash of Yellow Ochre on the leaf. It was tricky enough to get a flat wash on with the complex edge shapes; I would not have had time to paint around the little holes too, so the masking fluid did its job here.

At its best masking fluid can help you reserve crisp whites, lighter areas of paint and if ‘splattered’ on in layers can help build fantastic complex textures. At its worse it can ruin brushes, leave harsh unnatural edges and even tear paper. So I always stress to my students the need to understand how to use it properly and for the correct situations.

Next was the fun bit. A big brush and wet into wet all over the leaf, mixing a bright green from Prussian Blue, Cadmium Yellow, and adding bright splashes of Light Red and Red Oxide. Finally I used a little watercolour pencil to add contrast to the stem. Without reserving the veins with the Frisk fluid it would have been impossible to be so free with the paint. Now came the wait, to see how well the masking fluid removed, and whether it lifted any of the colour underneath.
 

Once the painting was dry the masking fluid lifted well, despite being on for a few days. The white areas were crisp and there was minimal pigment loss on the reserved leaf veins (there is always a little I find). Finally, using some well sharpened watercolour pencils I defined some of the edges of the leaf and the holes, and the finished result was quite pleasing!

Materials used for this review:

Saunders Waterford ‘High White’ NOT paper 300gm, Talens ‘Rembrandt’ watercolours, Derwent watercolour Pencils, SAA ‘Silver’ brushes

A project close to my heart

Sometimes I guess things are just meant to happen at certain times. Back in the spring when I got a call from Keri of Birds Body Casting asking me to take part in an art project in aid of Suffolk Breakthrough Breast Cancer, she had no idea I had just had surgery to remove a tumour in my breast and was about to start radiotherapy.  Of course I couldn't say no, my only concern was if I would feel well enough but when Keri explained that I had months to complete my artwork I knew it would be fine. 

 The first step was a trip to Keri's studio in Bury St Edmunds, where Keri explained that the casts were donated by women who either had or had been affected by breast cancer. I was given a bust cast and simply given complete freedom to decorate it as I wished. When finished the casts would be displayed in local businesses and shops then auctioned for charity. At this stage I did not know whose bust it was or what her story was.

All summer the cast sat in my studio and was quite a talking point for visitors and friends. I had my radiotherapy, helped to arrange a local art exhibition for 50 artists, demonstrated at the SAA's London event and travelled to the French Alps to arrange an art holiday for my students. Finally at the end of the summer when things had calmed down I turned my attention to the cast.

 
 As soon as I saw the cast I wondered if I could mosaic it, and I started drawing on it with little idea of what I was drawing. First I had a sort of neckline shape and wondered perhaps if I was going to put the top of a dress on the cast, but eventually it started to take a bra type shape. However it didn't look like lingerie, more like a sports bra or bikini. That is when I remembered how much I had missed swimming during my cancer treatment.

 It is no surprise I 'dressed' my cast - when I was a kid my stepfather used to get the Sun newspaper, and I was always upset for the ladies who had no top on, and used to draw underwear on them in black biro. I have always been more interested in clothes and fashion than life drawing. People look so much less impressive than animals when they are uncovered, it is no wonder we invented such a wide range of colourful clothing types!

 Whilst working on the cast I decided I had better finish some of my more usual panel mosaics, started earlier in the year and abandoned during hospital treatment.

Extreme close up! My biggest concern with this project was the fact that the edges of the cast were thin and definitely flexible. This could go either way I thought...

 But amazingly the tiles seemed to stabilise it, and by the end it felt more like a piece of sculpture. I was pleased to find it stood up alone too, because there was no way Keri was going to be able to hang this one by a thin ribbon, it was heavy!

Realising that the cast would be seen from both sides I decided to paint the inside. I had in mind the red soles of Louboutin shoes... and as I walked through the kitchen (currently being replaced) I noticed the test area of cornflower blue I had painted on the wall. A couple of coats and some clear varnish and the cast was finished!

Keri came to collect it and I asked for more information about the lady who donated the cast. Whereupon I was put in touch with the lovely Deborah!

 Doesn't she look great? And she is a survivor of breast cancer too. Here is what Deborah has to say about the project:

" Having breast cancer is a life changing journey and I wanted to share a very positive outcome.

Following a left mastectomy in April 2006 age 46, I had reconstructive surgery in July 2008.  Most people would never know what has happened so to share the fact that research, treatment and a positive attitude can conquer this disease means it had to be done."

Deborah and I had a chat over the internet and she is delighted with what I have done with her cast (luckily!)

The casts will be all together and on display at the Apex in Bury St Edmunds, open to the public from 2 to 3pm on Sunday 28th September.

After that look out for them in Bury shops and premises during October, they will certainly attract some attention I think!